Catherine Fay’s costume designs most recently include: Näher… nearer, closer, sooner (Liz Roche Company). Orfeo ed Euridici  (Irish National Opera), The Return of Ulysses (Opera Collective Ireland). The Plough and the Stars (Lyric Hammersmith / Abbey Theatre). In 2017, Girl Song (United Fall), 12 Minute Dances & Totems (Liz Roche Company), Owen Wingrave (Opera Collective Ireland), Acis and Galatea (Opera… Read more »

Ciaran trained at the Royal Welsh College of Music & Drama in Cardiff and was made a fellow of the college in 2017. Recent Theatre includes: Set & Lighting Design: The Magic Flute (INO, Wexford Opera House, Gaiety Dublin); A Streetcar named Desire (Lyric Theatre, Belfast); Lady Magma (Atelier de Paris); The Last Yankee (Library Theatre, Bolton); UBU The King… Read more »

John Comiskey has worked extensively in theatre, music, film and television. He curated and designed the first ever Irish participation at the Prague Quadrennial exhibition of world theatre design in 2007.  He has won Best Design at the Irish Theatre awards for Copenhagen (Rough Magic) and has been nominated several times for Best Lighting Design. Notable theatre productions include :Hamlet,… Read more »

Niall lectures in Theatre Design and Performing Arts at Institute of Technology Sligo. He received his AHRC funded doctorate from the Brian Friel Centre for Theatre Research Queen’s University in Belfast.As a designer, Niall has worked extensively all over the UK and Ireland, as well as in the rest of Europe and the USA. He… Read more »

Peter Power is a Composer, Director and Sound Designer from Waterford based in Cork. His interests are in the collaborative creation of events using design-lead theatre, audio and music as a non-linear narrative source. His passion for this work stems from a want to pursue what cultural theorist and Architectural critic Charles Jencks called ‘extreme… Read more »