Julie O' Connor

Julie moved from Ireland to complete an MA in Scenic Art at the Bristol Old Vic Theatre School in 2018, and has since worked on productions of ‘The Snow Queen’ designed by Lez Brotherston, ‘No Petrol for Twelve Miles’ designed by Ed Thomas and completed placements at the Royal Shakespeare Company, and The Lyceum Edinburgh, on productions of but not limited to “The Duchess of Malfi” and “Pride and Prejudice, Sort of”.

She’s recently just finished working on ‘Robin Robin’ and ‘Shaun the Sheep’ with Aardman Animation and is currently based in Ireland.

The Duchess of Malfi

‘The Duchess of Malfi’ with the Lyceum Edinburgh. Set designer is Tom Piper. Photo by Mihaela Bodlovic.

Pride and Prejudice Sort of

‘Pride and Prejudice, Sort of’ with Lyceum Edinburgh. Set designer is Ana Ines Jabares-Pita. Photo by Mihaela Bodlovic.

The Snow Queen

‘The Snow Queen’ with Rocket Scenery. Set designer is Lez Brotherston. Produced for the Scottish National Ballet. Photo by Andy Ross.

The Spanish Princess

‘The Spanish Princess’ with The Bottleyard Studios. Production designer is Will Hughes Jones.

Kunene and the King

‘Kunene and the King’ with the Royal Shakespeare Company. Set designer is Birrie Le Roux. Photo by Ellie Kurttz.

Robin Robin

‘Robin Robin’ with Aardman Animation. Production designer is Matt Forsythe.

Mrs Beeton Says

‘Mrs Beeton Says’ with the Bristol Old Vic Theatre School. Set designer Bronia Housman. Photo by Craig Fuller.

No Petrol for Twelve Miles

‘No Petrol for Twelve Miles’ with the Bristol Old Vic Theatre. Set designer is Ed Thomas. Produced for the National Theatre of Wales. Photo by Hebe Perry.

Death of A Salesman

‘Death of A Salesman’ with the Royal Shakespeare Company. Set designer is Anna Fleischle. Photo by Brinkhoff-Moegenburg.

Julie O’ Connor